Thursday, September 17, 2009

Keeping a To-Do List for Your Novel

When you write - especially, I assume, when you write often - you develop work habits unique to you.  At least, I *thought* that making a to-do list for my novel was my own little neurotic way of making sure all those plot strings got snipped or tied or woven somehow.  But in a recent #kidlit chat via Twitter (find past transcripts here), I discovered that others do this, too. 

It’s a handy revision tool, a to-do list, and it reads like, well, my Saturday afternoon chore list might.  So presented below, part of the to-do concocted when going through the first round of revisions for Autumn Winifred Oliver Does Things Different (there were four rounds total).  What’s interesting to me is that some of this content never made it into the book, and other parts were edited out completely.  For instance, I decided against having Autumn be a “ghost child” – that is, having her brush with death scare everyone.  It detracted too much from the focus of the plot.  But other parts most assuredly made it in, and some of them are my favorite scenes in the book.

Autumn to-do list

-2 new chapters:  both, bridging the gap between pro-park and anti-park. 

-Next chapter:  list (see white notebook sheet) and write Rockefeller. 

-Chapter after that:  town meeting, under schoolhouse.  (See nrw notes)

-beef up ending: 

-but these old mountains aren’t as strong as they used to be.  Airplanes, weathered down

-no panthers, no chestnuts, no Cherokee, no gramps…maybe this place is changing, after all

-perfectly preserved as a pickle (see synopsis here)

-looking at gravesite – knowing right and wrong didn’t seem to take.  Can’t always tell what’s right and what’s wrong. 

-aunt Lydia still mad at me for leaving her in the dog trot

-mention cody’s rock collection at least one more time, and earlier

-after tilly’s proposal – have other widows in crowd mad cause they didn’t think of it first.  Gramps is kinda a big shot around here, being a widower and his dealings on the park.  Will likely be rich someday.  A good catch

-play up autumn being a “ghost child” more – not everyone knows she’s still alive.  Have them pinch her, etc.  when they see her

-look to increase the struggle over the move in with gramps – maybe mama doesn’t want to move to Knoxville…

-play up the food scene with gramps to show more of mama’s relationship with him.  Gramps eats during prayer.  Katie in here, too – show some likeability

-end of star scene – maybe take autumn’s approval of cody out?  She’s quick to judge him.

-hint earlier – park going awry, autumn is only one who knows.  She suspects col. Earlier?

-make col. More evil by having him break one of the superstitions.

-look back at earlier version (chapter 26, then) when cody has fit over gramps’ treatment of peter…add back in? 

-emphasize the chestnut trees disappearing…

-make gramps feel responsible for losing everyone’s homes, though no one blames him.

-double-check that FDR was standing in 1934.

-include picture of pine trees in Gramps’ coffin

-make sure there are markets in nyc on 53rd

-beef up letters chapter – see nrw notes – more scenery, etc. 

-eliminate all mention of “donation” in end notes

-last few chapters – keep her worried about jobs, homes!

-Introduce lawyer – Gramps hires with his own money to fight for everyone.  Spends his entire savings. 

-(chapter 16)HERE:  NEED GRAMPS TO GATHER AND SELL STUFF TO SAVE HIS FAMILY NAME; PAY FOR FANCY LAWYERS, GIVE TO FOLKS TO PAY BILLS, ETC (second part below…).  INTRO LAWYER HERE.   

-be sure and include that they don’t know what’s going to happen, or when.  They might get to stay there forever, or they might get kicked out next week.  The hard part was not knowing. 


Whew!  Looking back, that looks like the whole book! J  Once I completed the item, I crossed it off in my computer using a strike-through over the font – very satisfying!  Every one of those items was crossed off in some manner.  I used this same technique for the upcoming Selling Hope.  I’m starting a new novel now, and looking at the list above reminds me just how much work (and fun!) lies ahead.

So, do *you* keep a to-do list for your works-in-progress?  If so, care to share a snippet or two from it?  

Thursday, September 10, 2009

Autumn Comes to Life!

My talented and uber-supportive illustrator friend, Alison Davis Lyne, does "Visual Book Reviews" - she reviews titles by illustrating scenes that appeal to her from the text.  And totally cool - she reviewed Autumn Winifred Oliver Does Things Different!  Click through here to see Autumn brought to life!  

Thank you, Alison!  What a fantastic idea, and how truly wonderful to see Autumn in all her messy glory!  :-)  

Check out the rest of Alison's site here.  Her paintings are so detailed, and the colors pop right off the scene.  Alison, you have a true gift.  

Wednesday, September 09, 2009

WHY "show, not tell"

I was recently reading a short story that just didn't keep me interested, and I finally figured out why:  the story was full of TELLING details, instead of SHOWING details.  I'm (kinda) paraphrasing here, but the protagonist thinks at one point, "I'm sad that I hurt my wife.  She deserves better."  

Anyone who has ever read a book on the craft of writing or attended a writing conference has likely heard the piece of advice, "show, don't tell."  For instance, the sentence above *could've* been more along the lines of, "Thinking about what I did to her... no!  I can't even think about it.  It makes me sick to my stomach."  We understand through showing details that he feels remorse. 

But why is showing more powerful than telling?  It occurred to me, when I read this story, that no one is so in touch with their emotions that they can pinpoint what they are feeling at any given moment.  In other words, when your spouse leaves a coffee cup half-filled with coffee in his office for three days >ahem!<, you don't think to yourself, "I'm so angry at him!"  No, instead you think, "Honestly?  Does he know where the sink is?"  

Showing is more honest, and honesty in fiction is power.  Showing allows us to *be* the main character, rather than *hear* him/her.  Showing doesn't hit you over the head with an emotion ("I'm sad."), it allows you to feel that emotion.  And nothing rewards your readers more than that.  

Sunday, September 06, 2009

Deciding What to Work on Next

I'm on the second round of edits for SELLING HOPE, and *should* have them back to my editor this week.  But then, what next?  I've been researching two stories simultaneously, one a middle-grade road trip tale, the other a nonfiction picture book.  I've concentrated more on the mg story to this point, because, well, it's what I know - I lurve middle grade historical fiction.  (This one is half contemporary/half historical.)  My heart is in this project, but I'm currently struggling with the plot. Sometimes that can be good - some of my best solutions have come only after wrestling with the plot.  And authors are constantly told that writing 3 or 4 books of a similar type (ie, middle grade historical) is smart in order brand oneself.    

But my head says that the picture book can be researched faster (yes, even though it's nonfiction) and I have a very good feeling about its marketability (in other words, I think publishers will really like the idea.)  And it's not that I'm totally emotionless about this book - far from it.  The idea of it, and how I picture it being executed, gives me that itchy writer's feeling of "Yes! That must be written!"  And, too, maybe it would be nice to change gears for awhile - you know, get the sparks flying from a different piece of flint.     

So - which one to work on next - the heart or the head? The sloppy, messy, heart-driven book, or the practical, marketable change-of-pace?  How do *you* decide what to work on next?  And by all means, voice your opinion on my next project in the comments section!  Please?  ;-)  

Friday, September 04, 2009

On Running Out of Ideas

Every writer gets asked the question, "So, how do keep from running out of ideas?"  The funniest (and truest) answer I've read in response is from author Martha Bennett Stiles: 

"By not dying.  I have more ideas that I had meant to get to than I have time left."

Perfect!   Ideas are everywhere, inspiration in everyone.  

(This quote originally appeared in BORDERLINES, the quarterly newsletter of the Midsouth SCBWI.  Martha Bennett Stiles is the author of DARKNESS OVER THE LAND, THE STAR IN THE FOREST, SARAH THE DRAGON LADY, ISLAND MAGIC, and the upcoming SAILING TO FREEDOM, THE RUNAWAY ADVENTURES OF ALLIE AND RAY, Henry Holt, 2011.  Watch for it - Ms. Stiles is an incredible writer and a wonderful human being.)

Thursday, August 20, 2009

Greetings, Amazon!

I have a blog.  Why not announce that fact from atop the largest stump in the world?  Greetings, Amazon shoppers!  Please swing by my blog and tell me how *you* do things different!  

Thursday, July 30, 2009

The Hidden Benefits of Having an Agent

In the world of children's publishing, it isn't necessary to have a literary agent in order to get a book published.  Autumn Winifred Oliver Does Things Different sold without the assistance of an agent.  Not to say I didn't *want* one - it just, well, happened that way.  And I've loved every interaction I've had with Delacorte.

But now I have an agent.  And not just any agent - SuperAgent.  But I digress.  My reason for this post is to point out that there are many reasons why having an agent is a good idea, beyond the "hey, maybe they can get me more money" and "they have some pretty great contacts" and "agents know contracts." All good reasons, yes, but there are others:

-Agents make the wheels turn FAST.  Before I joined forces with SuperAgent, I was accustomed to waiting anywhere from 3 to 9 months for a response.  Through an agent, the response time has narrowed to - 3 weeks?  Sometimes not even that.  
-Agents can submit electronically to their contacts.  When submitting to houses prior to having an agent, I was spending hundreds of dollars a year in postage and printing costs.  Now I email manuscripts to SuperAgent, who forwards them accordingly.  Verr niiice.
-Agents are great at helping you figure out your career priorities.  I love all kinds of writing.  All kinds.  It's nice to have someone who can help me focus my energies onto the projects that sound most promising.
-Agents can go to bat for you when you're freaking out.  Most writers know this is a good reason to have representation, but imagine if you were the writer described here.  Danke, agent!  
-Agents don't just "know people" - they are match-makers.  They want to pair writers with publishing houses in a way that creates careers.  They, like you, want the publishing house to want your next book.  And the next.  And the next.  

I know there are reasons I've missed, but these are the reasons why I'm thankful for SuperAgent *this* week.  :-)  Please, list any reasons I've overlooked!  

Sunday, July 26, 2009

SELLING HOPE update!

Hi, all!  I just recently found out that Selling Hope: Or, Gaining Glorious Asylum from Mr. Halley's Fiery Beast has been bumped UP to be a Fall 2010 release!  Woot!  And Hopeful Editor even mentioned starting on the cover art! Cover art! *swoons* I love this crazy publishing biz!  

Friday, July 17, 2009

Marketing eBooks: Or, Will Booksignings Go Bye-Bye?

There's been a rumbling about ebooks on a couple of my favorite blogs this week:  check out Nathan Bransford's post about releasing a text in electronic format only *after* it's been in hard back for a few weeks.  Also, check out a great (new!) blog called Pimp My Novel, which discusses the $9.99 price point for ebooks.

All interesting.  But all this echatter started my wheels turning in *this* direction:  if ebooks truly are our future, how does an author best promote his/her titles?  As (correctly) pointed out to me by "AM" in Mr. Bransford's comment section, an author can cost-effectively reach thousands of potential readers through blog tours and websites.  And there are many wonderful ones out there, but the King is, of course, the distributor:  Amazon.  And if all authors are competing for space on the Almighty Amazon, who do you think will win?  Prolly not debut authors, when Stephen King has a new kid on the block.  Prolly not a midlister, when Stephanie Meyer waxes poetic.  

I don't mean to sound bitter, I'm truly wondering how it might work.  Limited distribution channels mean limited opportunities for author promotion.  

And, too, taking this to an extreme:  will booksignings fall by the wayside?  I insist on stubbornly clinging to the idea that readers *like* meeting an author in person.  And getting something signed.  

Because as much as I love my Kindle, I love my signed books even more.  

Please, weigh in!  :-)  


Sunday, July 05, 2009

Taking a Vacay from Writing Rules

It’s peak vacay season, and in the spirit of all things sunscreeny and coconutty, I thought it’d be fun to compile a list of all those pesky writing rules we writers would like to break away from every once in awhile (grammatical structure of previous sentence included in said vacation – ahem!).  So, here are some rules to think about breaking on a “writing rule vacay:”

-Mixing Metaphors.  As welcome as a soft chair at the end of a touchdown.

-Clichés.  Why think outside the box when cookie-cutter solutions are staring you in the face?

-Subject/Verb Disagreement.  Because sometimes the expressions that we pour our heart into just needs freedom. 

-Exclamation Points!  In excess!!!  Because you CAN!!!!!!

-DITTO ALL CAPS!!!!

-Sentence Fragments.  Yeah.  Went there.  Did that. 

-Adverbs.  Who among us doesn’t truly, wholly, and thoroughly miss them? 

-Overwrought Phrases.  Just the thought of them makes my pulse quicken, my heart race, and tears of joy leap into my once-dead but now – maybe, now? – glistening, glimmering eyes.

-Passive Verbs.  Because those sentences were constructed by us to be that way, that’s why. 

-POV Hopping.  You shouldn’t have to stay in one person’s head the entire time.  I rather enjoy knowing what other people think.

-Plotlessness.  Because following a story that never goes anywhere can be

-Two-Dimensional Characters.  For real – don’t we all know someone we suspect is really 2D in the privacy of his/her own home? 

And finally:

-Rhetorical Questions.  Why not?

Do you have a few you’d like to add?  Please, comment away!  J  

Sunday, June 28, 2009

Word of the Day

"chert:" waste that is removed from mines.  Think piles of rock dragged out of a hole and heaped in far-away fields.

Kinda reminds you of the revision process, right?  Digging through that first draft, getting rid of piles of rock you don't need, in order to find the gems.  

Chert. It has to be there, and you have to get rid of it.   

Friday, June 26, 2009

Revision Tips at Cuppa Jolie

Jolie Stekly, writer and all-around cool person, has a great blog called Cuppa Jolie.  Drink it up here.  I was recently asked to give my favorite revision tip.  Hop on over and check it out!  :-)

Monday, June 22, 2009

Marvelous!

What do you know - I'm a "Marvelous Marketer!" :-) Check it out: http://www.faeriality.blogspot.com/. Thanks to Shelli Johannes-Wells for the interview!

Wednesday, June 17, 2009

Guest Blogger!

Me:  An excited guest blogger on the Writer's Digest "Guide to Literary Agents" blog.  You:  A very welcome visitor!  Please click through here!  :-)

Thursday, April 30, 2009

HOPE!

Okay, I admit it.  I'm a spotty blogger.  

There.  I said it.  I'm inconsistent.  I'm not-at-all CONsistent.  Not in the least.  So I don't really expect you to remember way-back-when, when I was blogging about a character of mine who was giving me FITS!  She was slippery.  She was mysterious.  And most of all, she was sometimes not very nice.

Her name is Hope.  And I'm delighted to let you know that Hope has found a home!  SQUEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!  :-)

My second middle grade novel, Selling Hope: Or, Gaining Glorious Asylum from Mr. Halley's Fiery Beast, will be released by Feiwel & Friends/MacMillan in Fall 2011.  *does hurkey* *laughs at the word "hurkey"*

Want to learn more about this slippery, mysterious girl named Hope?  Please read more about the book here.  

Doubly - no, TRIPLY - exciting is the fact that Feiwel & Friends is releasing my friend Jill S. Alexander's debut, The Sweetheart of Prosper County, this fall.  Folks, this book is geeeee-orgous.  Truly.  More on my love of this book later, when I bribe - erm, ask - Jill to join us for an interview here.  I predict you will hear a lot about this book this year.  Just thinking about it as I type this is making me smile...  

Ah, Hope.  Slippery and mysterious indeed.  :-)

Monday, March 23, 2009

Stoked!

I am WAY excited about a recent review of Autumn that appeared in the Asheville Citizen-Times (Asheville, NC). Click here to read it.  Thanks for the smiles, Jennifer Prince!  :-)  

Monday, March 09, 2009

#queryfail day on twitter!

Ok, for some reason I've become totally obsessed with this idea.  March 5 was declared "#queryfail" day by a handful of literary agents who tweet regularly.  Throughout the day, they posted the worst of the worst queries.  Here are some of my personal favorites:

-"It would be a huge mistake if you don't publish this book."  A threat?  Always a good career move. ;-)  
-"What if everything you knew to be true, turned out not to be true?  What if it were, in fact, false?"  Actually, this sounds like it could be an interesting idea, but the cliches are just too much.
-A query that included 50 other agents in the email address box.  Ugh!  Slushy slush slush.  
-A query in which the writer asked to schedule a phone call, because the book is just too difficult to describe in writing.  Huh?
-A query that describes a "fictional novel."  As opposed to the one that really exists? 

Want more?  Visit www.twitter.com and search "#queryfail"

We all make mistakes.  I've sent out my fair share of mediocre queries.  The above post wasn't meant to poke fun as much as it was meant to remind us all to polish, polish, polish and then RESEARCH before submitting to agents and publishing houses.  Being published is a dream many of us share.  Being published on #queryfail is NOT!  :-)

Write on!

Thursday, February 19, 2009

Interview with tween author Jessica Burkhart!

Alright, writers...if you *ever* needed motivation to start/maintain a blog, read the interview below with tween author Jessica Burhart, author of Take the Reins, the first book in the new Canterwood Crest series!  Many thanks, Jessica, for stopping by! 

Please tell us a little bit about Take the Reins and the Canterwood Crest series.
Take the Reins introduces readers to small-town girl Sasha Silver and her horse, Charm.  Charm and Sasha leave their tiny hometown and come to Canterwood Crest - a ritzy Connecticut boarding school.  Sasha has to fight for a spot on Canterwood's advanced riding team.  And, of course, she juggles new friendships, mean girls and an oh-so-adorable boy.  

I'd categorize the series as tween chick lit with horses.

Okay, um...you have four books coming out this year?!  Wowza!  However do you do it - juggling the writing, revising and marketing?  Please give us a glimpse into your work day.
Actually, my schedule just got bumped up to SIX for 2009. *grins* Oh, yeah.  I thought I knew what "busy" meant.  Nope.  I didn't.  I'm up early and I work all day on writing, edits, revising, marketing, blogging and everything else that goes along with being a writer.  It's a tough schedule, but I love it.

With that said, I'm working on finding the balance between total workaholic and a girl who wants to figure out more things about herself and what she wants out of life. :)

What's the trickiest part about writing a series?
Remembering what happened in what book.  It gets confusing sometimes.  I have to go back and check drafts to keep things straight!

You started freelance writing at 14 - so cool!  What kinds of writing have you done?
My first published piece was in Teen Ink Magazine when I was fourteen.  It was a personal essay about how moving so many times had affected me.  I wrote about how difficult it was to get used to new places and how it wasn't easy to make new friends every year or so.

After the Teen Ink piece, I kept writing personal pieces about whatever I was going through.  I had a few poems published and it was an outlet for me to express what I wouldn't say to friends or family about how I felt.  It sounds odd to say that, since the poems were published.  But it was easier to have strangers read my thoughts than to say them to people in my life.  

Worry about putting too many personal pieces out there crept in as I got older, so I switched to non-fiction articles.  I've written about lots of topics from drug addition to starting a rock band, so I've never been bored with freelancing.  I'm focused on fiction right now, so I only do pieces that are assigned to me by editors.

Please tell us about your path to publication.  Any advice for pre-published writers?
I started with freelancing and I did that from fourteen to nineteen.  Then, I switched over to focus on fiction.  I wrote Take the Reins for NaNoWriMo (National Novel Writer's Month) 2006 and then blogged about that December.  An agent stumbled onto my blog, saw that I was seeking representation for a horse-themed novel and asked to see it.  She liked it, we clicked and I signed with her.  I revised from January 2007 - May 2007 and she put it on sub.  Within a few days, we had a four-book offer from Simon & Schuster.  What a crazy ride!

I'd advice pre-pubbed writers to blog!  My agent found me through my blog, so I'm a big believer in Blog Power. :)  I heart blogging!

Who has been your favorite character to write, and why?  Your least favorite?
Heather Fox, my #1 mean girl, has been my favorite to write.  She says the most awful things and they're so fun to write!  I love writing her dialogue and being mean (in fiction!) is fun.

Least favorite...hmm.  Maybe the guys just because they're harder to write.  I have to put myself in a guy's perspective and that can be difficult depending on the scene.

And finally:  do you do things different?  :)
Why yes, Kristin, I do!  And I hope to do even more of that in the future!  Yay!

Thank you for sharing your insights, Jessica!  Best of luck to you, Take the Reins, and the Canterwood Crest series!
Thanks so much for hosting me, Kristin!


Saturday, February 07, 2009

Words of Wisdom from NYC

So before I had to sequester myself from other human beings at last weekend's national SCBWI conference, I heard these words of wisdom from Jarrett Krosoczka:  

"Be really patient with your career."

Many of us are aware of how long it takes to get published.  Even masters like Dr. Seuss got rejection letters.  Even Madeleine L'Engle was asked to rewrite.  Most of us realize that there is usually somewhere between 18 - 24 months between a "yes" and seeing your book on the shelf. 

But what Jarrett was really referring to, I believe (based on the rest of his speech and the hilarious video he showed - see link below), was that a *career* takes a lifetime.  Literally.  If you, like me, want to make a living at this, then we must patiently wait for the right idea to spark.  We must patiently research that idea, and patiently tweak the words/pictures until they are perfect.  We must ride out rough patches in the publishing industry (ahem!).  We must be constantly attuned for lurking opportunities.  We must listen, with open ears and open minds, to what our critique group members tell us.  And then, when we do get a yes, we must work our booties off selling our book, book by book.  

I'm an impatient person.  My iPhone and my Tivo and my commercial-free satellite radio all feed that impatience.  Perhaps the universe pointed me toward a career that would balance all of that.  I'm still learning what it takes to build a career.  But I'll do whatever it takes, for however long it takes, to make this my career.  I love it too much to be impatient with it.  (Kinda like being a parent, no? :-)  )  

Now if you'll excuse me, I have a lot of waiting to do....  :-)

Monday, February 02, 2009

Update One from NYC

I'm home from NYC, and as much as I'd love to tell you all that the conference was enlightening and insightful, I can only report what it feels like to wallow in self-pity as one experiences a nasty stomach bug.  :-)  Ugh!  But I *did* manage to make it to the key note speech delivered by Jarrett Krosoczka (Punk Farm), who showed us one of the funniest "home-made" videos I've ever seen!  Anyone who has ever struggled to put words on paper will love it.  Enjoy!

I'll post more updates in the past few days!